Showing posts with label off topic. Show all posts
Showing posts with label off topic. Show all posts

Saturday, July 19, 2008

oooOOooo....

I am somewhatverymuchhappily excited about this. It looks gorgeous.



And has anyone noticed that Master Reznor has enjoyed himself a bit of a resurgence of late? I hear him here, there, and everywhere.

Tuesday, February 12, 2008

With apologies to my adoring public...

Sorry for the unexplained and significant hiatus. Life was rough for awhile there and I didn't really have time/energy/focus enough to keep the blog going. I've told one or two of you that I don't really like short posts mixed in with giant ones (like I tend to have), but we've found a loophole: photos. I've finally gotten a decent camera here (Thanks, Mom & Dad!), so I can now document the wondrous, glorious, banal existence that is life in Brno. Expect lots of old buildings and graffiti. I've also decided to start reviewing some of the bars/pubs that I find myself frequenting, as well as the beer that is served there. I think we can expect at least one review, one graffiti, and one old building per week. Probably an actual written post as well, but no promises.

To those of you who wrote encouraging me to keep going, thank you. Especially, those of you that I haven't written back to yet.

I finally got a new house. It's part of a shared flat on Kopečna street, just downhill from the Cathedral. I'm in Stare Brno, i.e. Old Brno, the most ancient part of town. This puts me a five minute walk from the main train station and a fifteen minute walk from work, because I have to climb up and over.

This is the view from my front door.


This is taken from the top of those steps in the first picture. Yes, that is a sculpture on the grass roof, which tops my landlords' apartment. My window is the one on the left with the bars.

Monday, November 12, 2007

My Daily Dose

I do, occasionally, take requests!

Webcomics are fun. Webcomics are easy to find. Webcomics can be terrible or wonderful mindcandy. However, they are rarely 'serious art.' I am somewhat addicted because of the variety and the sheer 'hit' you get when you discover one that's new to you. Several years of archives equal a whole afternoon and this afternoon feels like a combination of your favorite TV show, a fun book, and a slot machine. Somewhat dangerous. Many long-running comics require this, however, because of plots more layered than a Paleozoic lake bed in volcano territory and recurring in-jokes. Please note: many of the following works may not be 'work safe' or 'child safe.'

My two favorites are:
Schlock Mercenary, a pirate space opera with tongue planted firmly in cheek. Color, runs 7 days/wk without fail, strip with a Sunday super-size.
-and-
Questionable Content, a bunch of hipster kids with self esteem issues, lots of music references, and talking computer appliances. Color, runs M-F, full page in 3-4 panels.

Some really cool ones to watch:
Templar, Arizona, basically about a kid who ran away from home, but also a cyber-/steam-/crusty- punk in an alternate universe. Large format B&W, updates once or twice a week. It's pretty new, but substantial so far.

xkcd, is a reaaallly nerdy stick-figure strip but it's got a great sense of humor, which makes it very popular. B&W 3-panel, updates 2-3 times a week.

Gunnerkrigg Court
is one I found the other day. Totally safe for kids of the Harry Potter set, which it seems to be targeting. Very whimsical and unpredictable, but pretty creative. A girl is sent to a magical schooling institution. Large format color, updates 2-3 times a week.

All these and other stuff I've made a point to remember is located here.

If you go to any of these comics, they normally have link sections which can lead to some really interesting neighbors. Only half of above list is well-known, but there are some really big names like Penny Arcade, PvP, Devil's Panties, and Sinfest on the far side of the link. There are also a lot of big name/popular works that I'm just not very interested in and haven't referenced, so if you see a name that keeps popping up in link sections, that would be something that the hordes have deemed worthy.

The Search for Society: A Quest for a Biosocial Science of Morality, by Robin Fox

Not much of a week for the Moore-Short blogoshere is it? I'm going to Prague tonight. Updates and such next week For now I stumbled across some old blog stuff I did more than a year ago. An abortive attempt to catalogue all the print and video I was consuming. There are a few interesting entries and I did like this thing:

It starts off with lots of discussion on about long dead European philosophers and the arguments between schools of thought in anthrop- and soci- ologies, but then it gets down to brass tacks with discussions of tribal ('pre-civilized') societies like:

There was never any question that violence was both necessary and useful, and in a very positive sense good - as good as eating, copulation, singing. Only obviously it created more difficulties, because, the possible outcome was the loss of an individual life - which is clearly a difficulty for the group. But when I say this was not a problem, I meant it was not an intellectual problem. I prefer simply to call it a difficulty. One tried to overcome practical difficulties; one did not try to solve intellectual problems.

Again I am not saying that early man never tried to solve intellectual problems. I am merely saying that, unquestionably, he did not create unnecessary intellectual problems where they did not exist. There was for him no intellectual problem of violence; there was for him no intellectual problem of sex. These are late inventions of human self-consciousness, not a necessary consequence of human self-consciousness.
Page 131.

What he's saying is that historically, the human propensity towards violence was a tangible benefit vis a vis our survival.

The problem for the species is not violence itself. The fascination of violence is as real and as profound as the fascination with sex, with food, with the supernatural, and with knowledge, exploration, and discovery. And its satisfactions are of much the same kind. The problem lies with the capacity of the human imagination to create its encompassing, consummatory systems with violence as their focus and purpose. We call these systems battles, wars, pogroms, feuds, conquests, revolutions, or whatever, and therefore what we must understand is that the problem is not violence, but war; the problem is not aggression, but genocide; the problem is not killing, but battle. And into the organization of war, of battle, of genocide, goes far more by way of imaginative energy than physical violence. Indeed, if one were to do an inventory of the energy expended in a war, the actual physical violence would probably amount to very little. And with modern war this is even more striking. Modern war is almost better understood as an aspect of complex bureaucracy on the one hand and artistic capacity on the other.
......
The problem here is not violence. The problem here is the use to which violence is put. The problem with Puritanism is not sex, but the uses to which sex is put in the control of people. The problem for Orthodox Jews is not eating, but the imaginative restructuring of the conditions of eating that the religion demands. The problem is not our violent nature, or even the nature of violence, but our violent imaginations, and our imaginative use of violence: an imaginative use that no longer bears any close relation to the evolved conditions of violence – the conditions in which violence is a contained, normal, explicable, and unproblematical aspect of our adaptational history as a species.
Pages 135-36.

Let's review, yes? Duels with swords and even flintlocks are logical and even desirable from an evolutionary perspective. Nuclear weapons and trench warfare with machine guns is most absolutely fuckin' bad. Maybe we should allow bloodsports? Just saying....


--I never finished the book. In retrospect, this guy was pretty far out there by his colleagues' standards, but seems pretty cool. I think he does, however, make the idea of violence in the modern world (i.e. Iraq, Burma, Darfur) a little to abstract. Of course, he was writing during the Cold War, he might be forgiven a lack of wider perspective.